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Sennheiser-md441.1038138
7.0* out of 10

Sennheiser MD441

The MD 441 is acknowledged as the most accurate and versatile dy Read more

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Reviews and Problems with Sennheiser MD441

Showing 1-5 of 5
Overall 10
10

" A reference microphone ..." - floty

Audiofanzine
21 June 2014
  • Excerpt: I discovered for the first time, 10 years ago on a TV tray https://www.youtube.com/watch?v=QVL4veEQy8s (sax solo 1'42 to 2'22) and I have never found better since for the sax, not even a Valvet Brauner, Neumann TLM103, AKG C414, Shure SM57, Sennheiser MD421 ... Bought there one month for the studio, I gradually discovered its versatility...
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Overall 9
9.0

moosers

Audiofanzine
12 April 2010
  • Excerpt: I've only had the chance to use the Sennheiser MD 441 in a few different scenarios, but many engineers that I have talked to speak very highly about this microphone in terms of it's versatility. The applications that I have used it for are for both the top and the bottom of a snare drum. Mostly, I used it on the bottom with a Shure SM57 on the...
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Expert Review

Recording-microphones.co.uk
23 March 2009
  • Excerpt: The MD441 is acknowledged as one of the most accurate and versatile dynamic microphones available. It has a nearly textbook perfect supercardioid pattern, a five-position low frequency contour switch, a two-position high frequency switch, a critically dampened internal shock suspension, and a hum bucking coil. With its distinctive coffin shape and two tone chrome/vinyl finish the 441 is another really great and distinctive mic from Sennheiser.
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Overall 8
8.0

snafu

Audiofanzine
28 August 2004
  • Excerpt: One wonders why this is so micro rpandu, I feel that being said it is more rpandu in the north. It's really a micro exciting. I used a voice on a BMD, is fantastic for your exact a dynamic, almost no eq, the rve. It is a microphone that cash is still quite well and end of the spectrum. Its most common use: the brass. I think it really can be mor...
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Overall 9
9.0

MdK

Audiofanzine
18 May 2004
  • Excerpt: Micro celebrity puique classic Maritie emissions and Gilbert Carpentier, as long as he followed Frank Zappa on stage. I sang in it by repeating 'and on stage (I sing hiphop-metal) and frankly, I really enjoyed myself (no handling noise). I recorded the guitars (also metal) with the microphone in the nose bowl and I really enjoyed...
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