Excerpt: Adquirido para grabaciones de campo en lugares ambientalmente hostiles, es una excelente adquisición. sobre todo para registrar sonido con un alto nivel de SPL. Hasta ahora los he utilizado para una variedad de aplicaciones, ninguna relacionada para el uso que recomienda el fabricante. Curioso....
Excerpt: Use ONLY for recording guitar amp. It is clear and balanced, has a switch to contour the high frequencies 3 positions , I usually leave in center . The hang over lay on grill placement method is definitely a great attribute.
Excerpt: I bought to of these to run as a stereo pair for guitar amplifiers in a live environment. They are terrific! They handle whatever two 100 watt amps can throw at them and do not color the sound in any sort of negative manner. They definitely let the amps tone shine right through.
Pros: 3 Way Presence Switch, Large sweet spot, Slim Design
Summary: Hands down my favorite kick mic. It's got punch, snap, and bump without the 200hz - 250hz mud of a Beta 52. It reminds me of a D6 with more body. Everybody's got their thing, this is definitely mine. (R&B, Pop, Gospel)
Summary: The Sennheiser e906 is a very compact and versatile mic that gives other dynamic mics a good run for their money. The e906 has been designed for use with guitar cabs and other close micing situations. The side address of the mic makes it very compact.
Summary: Great Mic, absolutely superb on Guitar Amps and Drums, but i have recorded Soprano Sax with it along wit other mics. Very useful mic, i keep one with my guitar equipment to guarantee my guitar tone live and it has never once failed on me.
Summary: I love these mics. For guitar, it's great and also works nicely on toms and snares. Never tried vocals however. For the money, nothing bad to say at all. I much prefer it to the 609 which surprised me as I thought it was basically the same with the 3 position switch, but it just seems to sound...