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7.7* out of 10

Samsung SP-A900B

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Reviews and Problems with Samsung SP-A900B

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PLAYBACK 23: Samsung SP-A900B 1080p DLP projector

14 July 2011
  • Excerpt: Higher contrast and anamorphic widescreen compatibility sets Samsung's step-up SPA-900B apart from the still-available SPA-800B.
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Overall 9

Samsung SP-A900B

30 October 2010
  • Summary: The new chip in Samsung's SP-A900B helps it to outperform every projector in its class, including its step-down Joe Kane-designed brother, and to compete favorably against significantly more-expensive three-chip DLP projectors.
  • Pros: Extremely accurate color including spot-on color decoding for both SD and HD; nearly perfect primary/secondary colors and linear grayscale tracking; superb black level and shadow detail performance; bright for its class enabling it to adequately drive larger screen sizes than most of its competition; excellent lens; solid feature package with numerous picture-affecting options; sleek styling.
  • Cons: While improved, black level still not as deep as the best LCoS and LCD projectors; at its price, I expect horizontal lens shift as well as electronic zoom and focus.
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Samsung SP-A900B DLP Projector

Sound & Vision Magazine
26 October 2009
  • Excerpt: In these days of increasingly improved LCD and LCOS projectors, new DLP models seem to be few and far between. Some manufacturers have cut back on their premium DLP projector offerings (Sharp), and some have eliminated them altogether (Yamaha).
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DLP-Beamer Samsung SP-A 900 B : Die neue netzwelt-Referenz

21 August 2010
  • Summary: Ein Projektor der Superlative: fantastisch neutrale Farben ab Werk, hohe Lichtstärke, fabelhafter Kontrast, unschlagbare Schärfe, tolles 24p-Kinobild. Kurz: die neue netzwelt-Referenz. Kritisieren kann man allenfalls, dass die Vollbildwandlung von 1080i-Material nicht perfekt gelingt, aber das sind im Vergleich mit den Stärken des Beamers nur Peanuts.
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Overall 9

SP-A 900 B

16 May 2010
  • Conclusion: Der Samsung SP-A 900 B bietet fantastisch neutrale Farben ab Werk. Die Kombination aus Lichtstärke und Kontrast, Schärfe und Farbtreue ist derzeit nahe­zu unschlagbar. Wenngleich er in einigen Disziplinen Punkte verliert, projiziert dieser DLP-Beamer Kinofilme in 1080/24p noch authentischer als sein legendärer Vorgänger. Deshalb löst er ihn als Referenz ab, an der sich künftige Konkurrenten messen lassen müssen.
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