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Sigma-apo-50-150mm-f2-8-ex-dc-hsm.33365958
8.8 out of 10

Sigma APO 50-150mm F2.8 EX DC HSM

Sigma’s proprietary OS (Optical Stabilizer) system offers the us Read more

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Reviews and Problems with Sigma APO 50-150mm F2.8 EX DC HSM

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Lens Test: Sigma 50-150mm f/2.8 EX APO DC OS HSM

Pop Photo
1 September 2006
  • Excerpt: For APS-C shooters who covet the fast, image-stabilized 70–210mm zooms for full-framers, Sigma provides the sole choice. This 50–150mm f/2.8 OS lens ($1,099, street) replaces a similar but nonstabilized lens in Sigma’s catalog. Its EX designation points to a pro-quality optic, and the specs support that: Internally zooming and focusing, with six SLD glass elements for sharpness, it focuses quietly and includes a removable tripod collar, which the older 50–150mm lacked.
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Sigma 50-150mm f/2.8 EX DC OS HSM Lens

The Digital Picture
3 April 2006
  • Excerpt: Bringing you this site is my full time job (typically 60-80 hours per week). Thus, I depend solely on the commissions received from you using the links on this site to make any purchase. I am grateful for your support!
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Sigma’s APO 50-150mm f/2.8 EX DC HSM & 70mm f/2.8 EX DG Macro; A “Constant Aperture” Zoom And A Multi-Platform Close-Up Lens

Shutterbug
1 August 2001
  • Excerpt: Because most consumers demand very compact, lightweight equipment, the majority of lenses are designed with a relatively small aperture: f/4 to f/5.6, for example. That makes sense because the same focal length with a wide aperture would be larger, heavier, and more expensive due to the oversized optical elements and barrel.
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Sigma’s APO 50-150mm f/2.8 EX DC HSM; A Portrait Photographer’s Zoom

Shutterbug
1 June 2001
  • Excerpt: Technical Specifications Lens Construction: 18 Elements in 14 Groups Angle of View: 27.9 ° - 9.5 ° Number of Diaphragm Blades: 9 Blades Minimum Aperture: F22 Minimum Focusing Distance: 100cm / 39.4 inches Maximum Magnification: 1 : 5.3 Filter Size Diameter: 67mm Lens Hood: Bayonet Type Dimensions: Diameter 76.3mm X Length 135.1mm 3.0 inches x 5.3 inches Weight: 770g/27.2 oz.
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Overall 9
9.0
Audio & image quality 9
9.0
Versatility 9
8.5
Usability 9
8.5
Build quality 9
9.0

Sigma APO 50-150mm f/2.8 EX DC OS HSM Lens

PhotoReview
2 August 2012
  • Summary: Sigma's new APO 50-150mm f/2.8 EX DC OS  HSM lens is one of only two large-aperture tele-zoom lenses for cameras with APS-C sized sensors. (The other is the Tokina AT-X 535 Pro DX AF 50-135mm f/2.8.) Distinguished from its predecessor by the addition of Sigma’s proprietary OS (Optical Stabiliser) system, which claims up to four f-stops of camera shake correction, it will be attractive to wedding and portrait photographers.
  • Pros: You need a fast, effectively-stabilised lens for portraiture or product photography., You want a zoom lens that can be used with polarisers and graduated filters., You require good flare resistance in backlit situations. Buy this lens if :, You need a fast, effectively-stabilised lens for portraiture or product photography., You want a zoom lens that can be used with polarisers and graduated filters., You require good flare resistance in backlit situations.
  • Cons: You have a camera with a 'full frame' (36 x 24mm) image sensor., You need a small, lightweight lens. Don't buy this lens if:, You have a camera with a 'full frame' (36 x 24mm) image sensor., You need a small, lightweight lens.
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Sigma 50-150 MM F/2.8 APO EX DC OS HSM Lens

D-Photo and The Photographer's Mail
26 July 2012
  • Conclusion: A solid build quality that we have become accustomed to from the Sigma range and still light enough for handheld, OS remains sharp with a fixed range, wide aperture usually reserved for pros. Perfect for those who require the power without the money, competing well against full-frame equivalents under the same situations.
  • Pros: Fixed f/2.8 aperture, Four stops OS, Pro focal range, Lightweight for a telephoto
  • Cons: Too large for most hobbyists, Only for crop sensor, Vignetting
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50-150 mm f/2.8 APO EX DC HSM

LensTip.com
21 September 2007
  • Conclusion: So which lens you should choose? Sigma 70-200 f/2.8 or Sigma 50-150 f/2.8? First one has better optical performance, especially on APS-C/DX matrix. Astigmatism, vignetting and distortion are well controlled which is not in case of 50-150 model. But all in all advantage of 70-200 is not that big. Besides 50-150 mm is cheaper and much smaller and lighter.
  • Cons: poor image quality at the edge for 150 mm,, chromatic abberation should be smaller in APO lens,, noticable astigmatism for focal length range from 100 to 150 mm,, clear vignetting especially at 150 mm,, significant front-focus with Canon 20D.
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Overall 8
7.7
Value for money 8
8.0
Overall quality 7
7.0
Build quality 8
8.0

Sigma AF 50-150mm f/2.8 EX DC HSM (Nikon mount) - Review / Test Report

photozone.de
10 November 2006
  • Conclusion: The Sigma is an impressive lens with only few weaknesses. The resolution is excellent at 50mm and 100mm and (roughly) very good at 150mm although the quality could be a little better at f/2.8 here. While not formally tested the close focus performance (@ 150mm <1.5m) seems to fairly poor. Distortions and CAs are well controlled. Vignetting is a slight problem at 150mm @ f/2.8 only. The bokeh (out-of-focus blur) is pretty good especially for a zoom lens.
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Sigma 50-150mm f/2.8 APO EX DC HSM

ePHOTOzine
30 October 2006
  • Summary: With a compact size and weight alleviating the need for a tripod collar and the third generation of Sigma’s HSM focussing motor making the AF very quick, the lens is fast in every sense and easy to handle. Smooth operating control rings add to the feel of a nice lens that should find it’s way into a good number of kit bags!
  • Pros: Excellent optical performance, Very good handling with fast AF, Compact with a supplied hood.
  • Cons: Slight fall-off in resolution at the longest focal length., Distortion just noticeable at 150mm.
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Overall 10
10

Expert Review

Photo answers
27 March 2006
  • Excerpt: This new f/2.8 telephoto zoom from Sigma is the answer to many photographers' prayers. As lenses go, this one is rather short on what you could class as key features, but that doesn't mean that it's below par. In fact it sets the benchmark on what a telephoto zoom should offer. The 50-150mm is a digital-only lens and effectively gives you a focal length of 75-225mm making it much more versatile than the 105-300mm (approx) that a 70-200mm focal length will provide.
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