Reviews and Problems with Nikon AF-S NIKKOR 50mm f/1.4G
Showing 1-5 of 5
Value for money 9
Picture quality 9
Build quality 9
3 March 2010
Conclusion: The AF-S Nikkor 50mm F1.4G was, at its introduction, hailed by Nikon as 'redefining the standard lens concept'. It turns out that in many ways that was no idle boast - in almost all respects the lens is clearly improved over its predecessor, the AF-Nikkor 50mm F1.4D . It's sharper wide open, and provides much more even performance across the frame (especially on FX), with notably better corner sharpness at large and intermediate apertures.
Pros: Extremely even image quality across the frame, even on FX, Improved image quality over 50mm F1.4D at large apertures, Exceptional image quality when stopped down, Essentially no lateral chromatic aberration, Near-silent AF-S focus with full-time manual override
Cons: Slightly soft at large apertures, Somewhat susceptible to flare, Longitudinal (bokeh) chromatic aberration, most visible at large apertures, Vignetting at large apertures on full frame (essentially disappears by F2.8), Slower autofocus than the screw-drive AF-Nikkor 50mm F1.4D
Nikkor AF-S 50mm f/1.4 G (FX) - Review / Test Report
28 December 2009
Conclusion: Normal primes have a long standing reputation of high quality for an affordable price and the Nikkor AF-S 50 is no exception in this regard. The lens is able to deliver very sharp images, at least slightly stopped down. However it's not without flaws. Wide open, it lacks a bit sharpness and most of all contrast, vignetting is very high wide open, but that is to be expected on a full frame camera with a moderately priced fast prime.
Conclusion: The Nikkor AF-S 50mm f/1.4 G is a very good lens that performes on a high level except for slightly soft borders and somewhat busy bokeh at wide open aperture. From f/2 onwards, the lens is able to deliver crisp images that do not leave much to desire. For most applications the silent wave AF drive is fast enough.