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Leica NOCTILUX-M 50mm F0.95 ASPH
8.7 out of 10

Leica NOCTILUX-M 50mm F0.95 ASPH

Great Deal: $9,675.60

Reviews and Problems with Leica NOCTILUX-M 50mm F0.95 ASPH

Showing 1-5 of 5

REVIEW: SLR Magic 50mm f/0.95 Hyperprime Lens Review

photodo
6 July 2014
  • Excerpt: Handling and features This manual focus telephoto lens is available to fit Micro Four Thirds, Sony NEX and Fujifilm X-series cameras. In Micro Four Thirds guise, as tested here, the lens provides an angle of view equivalent to a 100mm telephoto lens on a 35mm camera and sports an incredibly bright...
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Lens Test: Leica Noctilux-M 50mm f/0.95 ASPH

Pop Photo
1 December 2001
  • Excerpt: Not only is this $10,000 gem the priciest lens we've ever tested, it's the fastest one made-and the first manualfocus we've had on our bench in years. A full-framer, it scales up to 67mm on the Leica M8 and M8.2.
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Leica’s Noctilux-M 50mm f/0.95 ASPH & Summilux-M 24mm f/1.4 ASPH; Super Fast For Low Light And More

Shutterbug
1 December 2001
  • Excerpt: In my heart I know that few readers can afford these kinds of expensive lenses, but there are always those who can and for the rest of us, it’s something to dream about.
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Overall 6
6.0

SLR Magic 50mm f/0.95 Hyperprime Lens Review

ePHOTOzine
28 September 2013
  • Excerpt: This manual focus telephoto lens is available to fit Micro Four Thirds, Sony NEX and Fujifilm X-series cameras. In Micro Four Thirds guise, as tested here, the lens provides an angle of view equivalent to a 100mm telephoto lens on a 35mm camera and sports an incredibly bright f/0.95 maximum...
  • Pros: Fast f/0.95 maximum aperture, Decent sharpness in the centre when stopped down, Delivers quite a unique look, Metal build
  • Cons: Loose aperture ring with no damping, Out of focus backgrounds can look quite busy due to aperture shape, No hood included
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Overall 7
6.5
Value for money 2
2.0
Overall quality 5
5.0
Build quality 10
10

Leica Noctilux-M 50mm f/0.95 ASPH - Review / Test Report

photozone.de
12 January 2008
  • Conclusion: In terms of build quality, the lens certainly meets even the highest expectations. Typical for such a fast lens, vignetting is very pronounced wide open and slightly stopped down. Surprisingly, this is still the case when the lens is 6-bit coded and thus the camera applies some correction.
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