Reviews and Problems with Canon EF 16-35mm f/2.8L II USM
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Excellent wide angle zoom
Rolobyte, B&H Photo
2 weeks ago
Excerpt: This is my favorite lens right now for travel photos, events and time lapse videos, especially starry skies. Very sharp images and the 2.8 aperture is invaluable for dimly lit scenes or night photography.
Pros: Consistent Output, Durable, Easily Interchangeable, Fast / accurate auto-focus, Lightweight, Rugged, Strong Construction
Conclusion: This is the third time i try to make a review. Honestly i don't understand why do you reject. Anyhow let talk a bit about this lens. I got a brand new lens, and i think it is defected and not sharp at all. Today i tried to take a long exposure picture on a tripod and even that didnt help with the sharpness at all. I've read lot of people having problem with this lens but couldn't believe it until i use it.
Excerpt: I owned an older Canon 17-35F2.8L lens but I kept wishing I had this update. Then my old lens had a serious accident and I got the new 16-35. No regrets - the lens is awesome. I use it for weddings and for starry night landscapes and time lapse.
Pros: Consistent Output, Durable, Fast / accurate auto-focus, Nice Bokeh, Rugged, Strong Construction
Excerpt: I am a landscape photographer mostly. With the Canon 16-5mm lens you are able to use this lens to the fullest. I like to have both foreground interest and lots of depth of field with my landscape photographers. With this lens I can achieve both goals of foreground and depth of field.
Excerpt: I seriously debated between this lens and the 24-70mm 2.8, but felt this lens would replace my 15mm and 20-35mm lenses, which I used a lot. This lens improves my results by leaps and bounds. At 16mm, this lens doesn't have the blurred edges that the 15mm caused, I can use a circular polarizer and neutral density filter, and I have a real lens cap with this lens (hated the 15mm lens cap so much!!).
Pros: Durable, Fast / accurate auto-focus, Nice Bokeh, Rugged
Excerpt: I've shot landscapes for close to 50 years, and when I made the (reluctant) move from film to digital four years ago, I bought the 10-22mm S lens for my 50D, and was instantly and consistently satisfied with the results.But, as with anything digital, 'settling for' are the words. And the second word is 'editing', as we try to make a still-increasing value achieve the like qualities of the still-decreasingly available film stocks.
Pros: Consistent Output, Durable, Easily Interchangeable, Fast / accurate auto-focus, Rugged, Strong Construction, Superb Results