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Amour
8.3 out of 10

Amour

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Reviews and Problems with Amour

Showing 1-8 of 8
Overall 9
9.0
Movie overall 10
10
Extras 6
6.0

Amour (2012)

blu-ray.com
22 August 2013
  • Conclusion: Michael Haneke's Amour comes to Blu-ray in North America rather late, but I think that folks who have been patiently waiting for a local release will be very pleased with Sony Pictures' technical presentation. In my opinion, this is one of the year's must-own Blu-ray releases. Do not miss it, folks.
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Overall 9
9.2
Actors overall 10
10
Audio 9
9.0
Extras 7
7.0

Amour (Blu-ray)

DVD Verdict
14 August 2013
  • Summary: Appellate Judge Tom Becker wonders if there'll be a French version of that old Steven Spielberg film, Toujours .
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Overall 9
9.0
Movie overall 10
10
Extras 7
7.0

Amour (2012)

blu-ray.com
1 March 2013
  • Conclusion: Michael Haneke's Amour is the most honest, most brutal yet genuinely uplifting film about love that I have ever seen. I think it is fair to say that it is also Haneke's best film to date.
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Overall 10
10

Amour

AV Club
18 December 2012
  • Excerpt: The subject of Michael Haneke ’s shattering Amour is right there in the title. It’s about the indignities of growing old and the inevitability of death, but only in the same way The Master concerns Scientology—as a means to an end, a phenomenon that reveal its characters’ true nature.
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Overall 10
10

Amour

Empire Online
11 May 2013
  • Conclusion: Michael Haneke’s Palme D’Or winner is uncomfortable, uncompromising, unflinching... and utterly unmissable. Old age may not be a reality you wish to confront, but you must see this film.
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Overall 10
10

Amour

Flicks
17 April 2013
  • Summary: Michael Haneke's films always take place in the shadow of something unspeakable. In his debut, 1989's The Seventh Continent , it was madness; in his last film, 2009's Palme D'Or-winning The White Ribbon , it was Naziism.
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Overall 10
10

Amour

totalfilm.com
15 November 2012
Overall 10
10

Vardaglig död utan stråkar

svd.se
22 November 2012
  • Excerpt: Den österrikiske regissören Michael Haneke har aldrig smekt publiken medhårs och gör det inte heller i ”Amour” som vann Guldpalmen i Cannes i våras. Inledningscenen när polisen bryter sig in i en våning i Paris är chockartad. Men det är slutet på historien.
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